5/8/2021 0 Comments Ida Full Movie
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See full summary. October Streaming Picks What to Watch if You Miss the Game of Thrones Cast Back to School Picks Visit our What to Watch page. In the movie, none of this is stated, but all of it is built, so to speak, into the atmosphere: the country feels dead, the population sparse, the mood of ordinary conversations constrained by the sure knowledge that many who survived have committed acts of betrayal or indulged willful ignorance. Close Alert Close Sign In Search Search News Books Culture Fiction Poetry Humor Cartoons Magazine Crossword Video Podcasts Archive Festival Open Navigation Menu Menu Story Saved To revisit this article, visit My Profile, then View saved stories. Close Alert Close Culture Desk Ida: A Film Masterpiece By David Denb y May 27, 2014 Facebook Twitter Email Print Save Story Save this story for later. Facebook Twitter Email Print Save Story Save this story for later. We are so used to constant movement and compulsive cutting in American movies that the stillness of the great new Polish film Ida comes as something of a shock. ![]() Friends have reported similar reactions: if not awe, then at least extreme concentration and satisfaction. This compact masterpiece has the curt definition and the finality of a reckoninga reckoning in which anger and mourning blend together. The director, Pawel Pawlikowski, left Poland years ago, for England, where he linked up with the English-born playwright Rebecca Lenkiewicz. After making documentaries for British television, Pawlikowski began directing features in English, including My Summer of Love (2004), with Emily Blunt, then unknown, and The Woman in the Fifth (2012), with Ethan Hawke and Kristin Scott Thomas. Set in 1961, during the Stalinist dictatorship, the movie pushes still further into the past; almost every element in the story evokes the war years and their aftermath. The filmmakers have confronted a birthplace never forgiven but also never abandoned. In a majestic convent, an orphaned young womana novice named Anna (Agata Trzebuchowska)is ordered by her Mother Superior to visit her aunt in Lodz before she takes orders. A beautiful eighteen-year-old with a broad Slavic face, a composed, devotional manner, and a tantalizing dimple, the girl has never left the convent before and knows nothing of her family. In Lodz, wearing her habit, Anna enters the apartment of a forty-five-ish woman, who is puffing on a cigarette and waiting for the guy she picked up the night before to leave. ![]() Abrupt and dismissive, Wanda enjoys attacking the girls ignorance. ![]() The two agree to go to the village in which the parents were hidden by Christians and then betrayedthe village where Wanda grew up. Ida becomes both an investigation of sorts and an intermittent road movie, featuring a dialectically opposed odd coupleCatholic and Communist, innocent girl and hard-living political intellectual, lover (of Christ) and hater (of the Polish past). Yet neither is a type, and what happens to each has to be understood as both an individuals fate and a Polish fate. Idas faith and disciplined simplicity will be jostled by experience, and Wanda will be tested, too, as her own buried sorrows come back to life. At first, Wanda cant stop taunting Idas indifference to sex, and, about the village, she says, What if you go there and discover that there is no God Yet Pawlikowski doesnt favor one point of view over the other: the two women are equal in their isolation and their need to pull together the shards of identity in a country that has been almost entirely broken. Between 1939 and 1945, Poland lost a fifth of its population, including three million Jews. In the two years after the war, Communists took over the government under the eyes of the Red Army and the Soviet secret police, the N.K.V.D. Many Poles who were prominent in resisting the Nazis were accused of preposterous crimes; the independent-minded were shot or hanged.
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